Get Featured in Distractify

Entertainment publications such as Distractify hear from far more actors, creators and brands than they could ever cover. Without a major distributor or an established publicity team, independent talent and smaller brands are usually the first to be passed over. A guaranteed placement removes that uncertainty: the piece is arranged with the publication in advance, you approve the draft, and it publishes on distractify.com inside a written window, usually one to three days. It is a real article on the site that you can put in a proposal, a deck or a profile.

What Distractify covers

Distractify publishes for an audience in the United States that cares about entertainment and pop culture. That category takes in screen releases and the talent behind them, celebrity and creator news, premieres, parties and live events, and the companies that serve the entertainment world. A good share of what such a publication runs is introductions: a new face, a new project, a brand or a night out worth knowing about.

Stories in this category are built around a hook the reader can picture: the role, the show, the channel, the party, the launch. Entertainment readers are curious about how people got where they are, so origin stories, behind-the-scenes accounts and career turning points work well. So do features on producers, event companies and entertainment brands, provided the piece shows what they actually make and who it is for.

Who reads Distractify

The audience for Distractify is made up of entertainment readers in the United States: film and television fans, followers of celebrity and creator culture, and people planning what to see or where to go. Readers of this kind share what they find, which is how a name moves from one article into group chats, feeds and conversations.

For an actor, creator, filmmaker or entertainment brand, a Distractify feature puts your name in front of an audience that is already interested in the field you work in. It is also a credential you can show: something a casting director, a booker, a venue, a brand partner or a prospective client can read before deciding to take the meeting.

What a national audience in the United States offers

A publication with a national audience in the United States is read well beyond any single city, which makes coverage in Distractify useful for companies that sell across state lines. Customers, investors and partners in different parts of the country can all see the same feature. When any of them looks up your name, a nationally read publication is a reference they are likely to recognize.

Typical clients are growth-stage businesses preparing for a funding round, a product launch or a move into new states. Consultants, physicians, attorneys and speakers who want to be known beyond their home market are also common. Companies headquartered abroad use coverage in the United States to establish a presence before they open an American office.

Entertainment publications write for fans, so a feature earns attention when it gives readers someone to be curious about. The strongest pieces name the project, describe the path that led to it and show what is happening next. A release, a premiere, an event date or a milestone gives the story its timing, and a clear personal detail gives it warmth.

The angles below are the ones entertainment readers respond to most often. You do not need all of them. One strong hook, supported by real work and a clear timeline, is enough.

What weakens a pitch

• Gossip in place of a story. Commentary about other people’s lives is not a feature about you, and we do not write it.
• A project too early to discuss. If nothing has been filmed, booked or announced, it is usually better to wait until there is something to show.
• A list of services. For event and nightlife businesses, a menu of packages is an advertisement. The story is the experience and the people behind it.
• Vague timing. “Coming soon” gives readers nothing to act on. A date, a platform or a venue turns interest into something they can do.